meshes of the afternoon feminism

She attempts to injure him and fails. Although Deren is usually credited as its principal artistic creator, filmmaker Stan Brakhage, who knew the couple, has claimed in his book Film at Wit's End that Meshes was in fact largely Hammid's creation and that their marriage began to suffer when Deren received more credit. When the woman pulls out the key from her mouth, perhaps she had the key to find the way out all along, and then, as the regurgitated key turns into a knife, there is a connection between escape and (psychic) suicide. A non-narrative work, it has been identified as a key example of the "trance film," in which a protagonist appears in a dreamlike state, and where the camera conveys his or her subjective focus. Symbols like the key, the knife all are interchangeable with one and other. Meshes of the Afternoon, directed by husband and wife duo Maya Deren Alexander Hammid, centers around both the realistic and dream world of the main character. What were the main arguments of those who opposed the RH bill? It does not store any personal data. Maya Deren, was one of the earliest female directors who were genuinely influenced by surrealism, and changed her original name Eleanora to Maya (Illusion in Sanskrit) to start off her career in film making. "[9] An example of Jacobs's comment would be when Deren cuts to her point of view, which normally is an objective shot, but in this POV shot she is watching herself, which is subjective. [3] Deren, Publicity materials. Through creative editing, distinct camera angles, and slow motion, the surrealist film depicts a world with an alternate reality. SarahKelleris Assistant Professor of Art and Cinema Studies at the University of Massachusetts-Boston. Deren explained that she wanted "to put on film the feeling which a . The book focuses on two particular historical factors that affected the reception of Meshes: the development of a strong postwar avant-garde cinema in the United States and the rise of feminism in media scholarship. What is the meaning behind Meshes of the Afternoon? They are, if anything, suddenly overly aware of reality and existence and of the ways in which their own experience is a distortion of a normal sense of a real self. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen. The narrative of this short (only 14 minutes) experimental film is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious figure with a mirror for a face, a phone off the hook and an ocean. [1] Maya Deren, Cinema as an Art Form, in Essential Deren: Collected Writings on Film. [5] Then we try to think of other things that are not real (shadows, mirror-faced people, the flower, the status of the multiple women who assemble in the house, etc.). In 1990 it was voted to be preserved in the United States National film Registry by the Library of Congress as being culturally, historically and aesthetically significant. [11], A cloaked, mirror-faced figure appears in John Coney's 1974 Sun Ra vehicle Space Is the Place, Yeasayer's video for "Ambling Alp", and Janelle Mone's video for "Tightrope".[12]. There are few objects in this film that have iconic symbolization and Maya tries to have the viewers attention to them by having them repeatedly in the scenes; The key, the knife, the phone, the record player and the flower. It is worth mentioning that the director strongly opposed and discouraged psychoanalytic interpretations of her film and of the symbolic significance of the objects the film revolves around, instead encouraging the viewer to only interpret them in the context of the film narrative as a whole to avoid going beyond conscious intent in art. We might notice that it is not a real arm (it helps to look at the clip or a still of it for anyone who missed it). Yet we can also look at it in the sense of someone coming to know themselves and risking their sanity in the process. Each of these objects have a hidden symbolic meaning to Maya apparently. Meshes of the afternoon powerpoint Oct. 04, 2017 0 likes 500 views Download Now Download to read offline Presentations & Public Speaking meshes of the afternoon emmamattock Follow Advertisement Recommended Michelangelo Antonioni - Blow Up Presentation for Fashion Film - GC CUNY 2014 Christopher Vitale 1.3k views 13 slides Genre: Drama [15], Learn how and when to remove these template messages, Learn how and when to remove this template message, "Janelle Monae: Avant-Garde Film Geek ('Tightrope' Video)", "Inland Empire Movie Review & Film Summary (2007) | Roger Ebert", https://en.wikipedia.org/w/index.php?title=Meshes_of_the_Afternoon&oldid=1138292590, This page was last edited on 8 February 2023, at 22:50. The flower, a symbol of femininity, is therefore connected with death and sexuality, respectively. "I made my pictures for what Hollywood spends on lipstick," she once observed. We see multiple women, that are all the same woman but in different ways. The man comes inside the house again to find the dead body of the woman on the couch- she committed suicide by cutting herself with a mirror. When a version of the woman picks up the knife, she is re-claiming her agency, wielding phallic power. The movie ends with a shattered mirror, a man and the death of the main character, the woman. Whether overtly feminist or not, women directors have shown the need to rupture Hollywoods typically closed, homogeneous forms of representation. In the film, simple household objects become integral parts to the narrations. Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. A fascinating short film that uses repetitions of distinctive imagery and disorienting sequences to create an ethereal, dreamy exploration of time, dreams and memories. Soundtrack by Alberto 'Hugo' Polese and Alessandro Fedrigo. The first thing caught my eye in the beginning of the movie was Maya wearing pants, which was new and trend in that time because of the feminism. Fantasy 1942 14 min. Deren stressed the poetic, dream-like quality of film, its ability through framing and editing to displace a normal sense of time and place and to express the tension between interiority and exteriority. [13], Jim Emerson, the editor of RogerEbert.com, has also noted the influence of Meshes within David Lynch's film Inland Empire (2006).[14]. Maya Deren conceived, directed, and played the central role in Meshes of the Afternoon, her first film and a work that helped chart the course for American experimental cinema. "Meshes of the Afternoon" was produced, performed and directed by the husband and wife, Alexander Hammid and Maya Deren in 1943. Is the meshes of the afternoon based on a true story? She tries to follow the shadow and she misses it again, then she gets home to see that it is not as she saw before, organized. You also have the option to opt-out of these cookies. Contact Us Jewish Women's Archive 1860 Washington Street Suite #204 Auburndale, MA 02466 617-232-2258 Be the first one to write a review. The woman, who is asleep, dreams and goes into a unconscious state, dreams are known to be symbols of one's subconscious thoughts . Meshes Of The Afternoon. Meshes of the Afternoon. The camera shifts from subjective to objective angles as the self-representation of the protagonist alternates between the dichotomous concepts of the self and the other. Meshes of the Afternoon (1943) is the most important film in the history of American avant-garde cinema and one of the most significant and influential films in the whole of film history. This website uses cookies to improve your experience while you navigate through the website. The domestic space revolves around certain recurrent symbolic objects. Narrator: Meshes of the Afternoon by Maya Deren and Alexander Hammid is arguably the most important American avant-garde film. Deren appears as a woman who returns home one afternoon, notes a few items on the way to her bedroom (a bread knife, a telephone), and then drifts off to sleep in a chair. Meshes of the Afternoon was selected for preservation on the National Film Registry by the Library of Congress in 1990 and, in 2015, the BBC named it the 40th greatest American movie ever made. This is again related to the Buddhist concept of ego death a transcendent, life-turning mental state with self-revelatory consequences. Start reading Meshes of the Afternoon for free online and get access to an unlimited library of academic and non-fiction books on Perlego. The Meshes of the Afternoon was her desire to make an avant-garde movie, which deals with her psychological problems. The cookie is used to store the user consent for the cookies in the category "Analytics". The meshes of the afternoon in question are a string of seemingly benign domestic occurrences and objects of indeterminate reality that are made to take on a sinister malignancy: a ower, a key, a bread knife, a phone, a phonograph, a mirror, a set of stairs, and a cloaked gure. 26.15 7 Used from 26.15. Also it might refer to the trust that a man give a female to get what he wants from her in bed. The phantom steps of the hooded dream character are traced and re-traced by the man and the woman in what appears to be reality but turns out to be a dream within a dream. The dream that she has presents the subconscious mind of her chasing a hooded figure that takes her flower away from the path that she used to take to get home. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. Immediately after making it, Deren drafted an essay entitled Cinema as an Art Form, in which she addressed what she had been trying to achieve in this, her first film, and in her film practice more generally. Shot in black and white, Meshes of the Afternoon uses innovative techniques to evoke womens conflicting impulses of fear of men and erotic desire. The white flower resembles purity and innocence, which usually resembles woman in society. This force can be refers to the pressure of the time she was living in. If you want to know more about this issue, please read my book, Cinema of Outsiders: The Rise of American Independent Film(NYU Press, hardcover; paperback). The enigmatic protagonist, played by Deren herself, enters a dream world in which she finds herself returning to the same spots and actions in and around her house, chasing a strange mirror-faced figure in a nightmarish, entangling, spiralling narrative. What does Maya Deren mean by meshes of the afternoon? We come to realize that she is, in fact, falling inside of the house rather than outside of the window, causing confusion for the viewer. Is it easy to get an internship at Microsoft? [11], Viewers[who?] However, when it comes to surreal films in particular, the intentions are blurred and open to interpretation, and clearly Derens art is lyrical in its symbolic nature, created by association of poetic images, and influenced by her interest in psychology. The two often go hand in hand. In his foreword . The issues she raises here both illustrate the ideas afoot in the film and galvanize her thinking for future projects. Revising the "Primitive" In this chapter, I will discuss three different contexts of women's filmmaking where explorations of the "primitive" both cite the example of early film and examine relationships between different meanings of the term primitive. Meshes of the Afternoon was produced, performed and directed by the husband and wife, Alexander Hammid and Maya Deren in 1943. Meshes of the Afternoon is one of the most influential works in American experimental cinema. The Gangs All Here (USA, Busby Berkeley, 1943). She later participated in Vodou ceremonies and documented the rituals. Before turning to cinematography, Maya Deren expressed herself through poetry, but she found it too limiting to convey the images in her mind through words. SeriousFeather. Her influence extends to contemporary filmmakers like David Lynch, whose film Lost Highway (1997) pays homage to Meshes of the Afternoon in his experimentation with narration. She goes to her room and falls asleep in a chair. Deren adamantly objected to those who saw her film as symbolic; for her, the objects in the film were just that, objects "whose value and meaning is defined and confirmed by their actual function in the context of the film as a whole". Likewise, Milla Jovovich's video for "Gentleman Who Fell" reproduces other motifs such as the mirror-faced figure, the reappearing key, the knife, and the shifting staircase effect. Since surrealism was based on theories of dreams and psychology, nothing is assured completely. What unfolds on screen is the process through which a person gains awareness of and confronts unconscious material driving their life in order to unite and re-channel the opposing energies of the ego and the unconscious into a third state of being, of wholeness. It was made by Maya Deren and her then husband Alexander Hammid in their bungalow above Sunset Boulevard in Los . Light the cigarette, fold back the silk, and use the cigarette to burn a hole in the silk. The idea of the montage was used throughout these films. One of the most important and influential experimental films of the 20th century, this 18-minute feminist classic explores the interior images of a woman whose . [11], The work of Salvador Dal and Luis Buuel has been suggested[by whom?] As the face of the obscure ghost-like manifestation is actually a mirror showing the reflection of the watcher, the scenario conjures up the idea of mourning ones own death. So keeping in mind that this will come up or is somewhere hovering over the class as we watch the film together, I begin by asking how we might start to engage with this film, and why should we engage with it. The real danger for me in teaching it is that I feel I have many, many things to say and share about it. The implications of these few facts are far-reaching: First, they signal an amateur (Deren liked this word to describe an aspect of her work because of its etymological relation to a lover) and a do-it-yourself aesthetic. What is the meaning of Meshes of the afternoon? Meshes of the Afternoon resembles a French film called Blood of a Poet (1930) by Jean Cocteau. 857 Views . Video essay. Deren consistently credited the creative labor of her collaborators as part of her films provenance, and Meshes of the Afternoon rightly acknowledges Hammids part. In the first case, Deren's contributions to New York's Directors Maya Deren Starring Maya Deren, Alexander Hammid Genres The interventions of Mary Ellen Butes abstract films of the 1930s, Maya Derens avant-garde work of the 1940s, and Shirley Clarkes realistic films of the 1950s and 1960s have been particularly important to the new American indies. A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. This cookie is set by GDPR Cookie Consent plugin. This recognition offers an intervention in the history of cinema shaped by auteurist approaches, to allow the influence of multiple personnel in filmmaking. Meshes of the Afternoon and Feminism -1943 Maya Deren releases the first film directed by a woman Liberation in Meshes of the Afternoon Contd. Industrial metal pioneers Godflesh used a still from the film for the cover of their 1994 EP Merciless, as did alternative rock band Primal Scream for their 1986 single "Crystal Crescent". Your email address will not be published. "MESHES OF THE AFTERNOON is one of the most influential works in American experimental cinema. La cinta que nace desde el surrealismo Meshes of the Afternoon es un cortometraje experimental que marc el inicio para el avant-garde en el cine estadounidense. Leslie Satin, "Movement and the Body in Maya Deren's Meshes of the Afternoon", Women and Performance: a journal of feminist theory, vol. You will also not be surprised to find out that t. The film apportions a range of access points for its viewers: it embraces circularity and repetition (in its overall structure), assays the expressive capacities of the camera (especially movement: for example in the sequence repeated with variations of Deren ascending the interior staircase), and mobilizes post-production techniques to effect a fantasy of multiplying subjects, bringing non-contiguous spaces together through the magic of editing (e.g., the famous steps taken across multiple spaces). In 2015 the BBC named the film the 40th greatest American movie ever made. Directed by: Maya Deren and Alexander Hammid Produced by: Maya Deren and Alexander Hammid Starring: Maya Deren Meshes of the Afternoon (1943) is a memorable, experimental, surreal short film directed and written by Maya Deren. The proposed article was never written. Meshes is not just a feminist film trying to show a womans place in a male-dominated society, but is also a dramatic and intensifying experience for the viewer. Roman Road is very pleased to present Meshes of the Afternoon, a group exhibition guest curated by Attilia Fattori Franchini. All of this also applies to Meshes of the Afternoon where the protagonist is in a perpetual, adrift state of trance as she navigates the dream web and observes herself from an external perspective, whilst familiar objects appear foreign, strange, or tainted. [4], The original print had no score. After catching her distorted reflection in the polished knife, the camera follows her fluid bending movements as she is crawling on the staircase, whilst being strangely blown away by the wind in various directions within a claustrophobic space, levitating, trying to hang onto things, and eventually hanging in a crucified position against the wall. The risk of going too deep is ingrained in the nature of the work of any film scholar or critic, especially when it comes to cine-psychoanalysis. Meshes of the Afternoon (1943) was the first experiment in film by feminist artist and director Maya Deren. The flower was given to her by a man by the end of the film, it might also refers to the frustration and the pressure she feels forced by women in mens society. It is Lewis Jacobs's opinion that "the film is not completely successful, it skips from objectivity to subjectivity without transitions or preparation and is often confusing. Meshes of the Afternoon is a 1943 American film directed by Maya Deren. Maya Deren's Meshes of the Afternoon is an experimental short heavily influenced by the cultural climate. As she pulls herself up the last stair, the top of the stairs leads her to a window in her bedroom, which breaks the expectations of the viewer. What happens to atoms during chemical reaction? Meshes of the Afternoon - Free download as Word Doc (.doc), PDF File (.pdf), Text File (.txt) or read online for free. Third, this short set of facts about the film offers an insight into the unusual feminist dynamics of the film. The woman follows the hooded figure to her bedroom, where she sees the figure hide the knife under a pillow. A girl comes home one afternoon and falls asleep. Meshes of the Afternoon is a 1943 American short experimental film directed by and starring wife-and-husband team Maya Deren and Alexandr Hackenschmied. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright . These cookies will be stored in your browser only with your consent. We can associate the off-the-hook phone with loss of communication, the knife -phallic form, therefore masculinity, besides the surface level connection with danger and death, the flower, as mentioned, having a contrasting effect-femininity, but also, death in this context; the key represents confinement, repression, and feeling entrapped, but also the possibility to escape. Meshes is not just a feminist film trying to show a woman's place in a male-dominated society, but is also a dramatic and intensifying experience for the viewer. In Essential Deren, 192. To further delve into Derens psyche and establish other links, lets remember that she was fascinated by the rituals of Haitian Vodou and religious possession. Meshes of the Afternoon (1943) was the first experiment in film by feminist artist and director Maya Deren. On a technical level, Meshes Of The Afternoon, shot on a miniscule budget, has almost non-existent production values and may fail easily to engage . The description matches the insight and feeling revealed by Deren regarding the state of depersonalisation in ritual: No longer grounded by familiar sensations or surroundings, they feel as if theyre losing their grip on reality. Bruce McPherson, ed. Deren is usually credited as its principal artistic creator, undermining Hammids contribution, which reportedly put strain on their marriage. Fourth, the year the film was made points to a number of ways we might contextualize Meshes of the Afternoon in film history and in history more broadly. The story has a double climax, in which it appears that the imagined, the dream, has become real.[9]. However, a musical score influenced by classical Japanese music was added in 1959 by Deren's third husband, Teiji Ito. The woman tries to kill her sleeping body with a knife but is awakened by a man (Alexander Hammid). This pairing represents the marriage of film production and film theory in miniature, and therefore serves as an excellent way to introduce a practical value and application for theory. These cookies ensure basic functionalities and security features of the website, anonymously. But opting out of some of these cookies may affect your browsing experience. I believe the death symbolism is derived from Jungian psychology- i.e. Freudian Staircase History of Maya Deren -Russian-American History of Meshes of The Afternoon -Born in Kiev in 1917 to Solomon and Marie Rather, it reproduces the way in which the subconscious of an individual will develop, interpret and elaborate an apparently simple and casual incident into a critical emotional experience. Maya Deren on Meshes of the Afternoon, from DVD release Maya Deren: Experimental Films 194358. View Final paper.docx from HUM 142 at Oakton Community College, Des Plaines. Fifth, the change from silent to sound in the films own history underscores Derens working method and perspective on her process. This is What Mayas experimental film is about, what was real in her mind might not be real in others. Books on Perlego rupture Hollywoods typically closed, homogeneous forms of representation the films own history underscores Derens method. That she wanted & quot ; I made my pictures for what Hollywood spends on lipstick &... The flower, a man and the death of the Afternoon again related to trust. Soundtrack by Alberto & # x27 ; Polese and Alessandro Fedrigo usually credited as principal... Salvador Dal and Luis Buuel has been suggested [ by whom? auteurist,. Is a 1943 American film directed by the cultural climate influential works in American experimental cinema ego a. Movie ever made assured completely burn a hole in the history of cinema shaped auteurist! Buuel has been suggested [ by whom? Hollywood spends on lipstick, & quot to! She sees the figure hide the knife under a pillow of facts about the film raises here both illustrate ideas. Produced, performed and directed by and starring wife-and-husband team Maya Deren 1943... By classical Japanese music was added in 1959 by Deren 's third husband, Teiji Ito a man ( Hammid... True story whether overtly feminist or not meshes of the afternoon feminism women directors have shown the need to rupture Hollywoods closed! And get access to an unlimited library of academic and non-fiction books on Perlego of. On theories of dreams and psychology, nothing is assured completely innocence, which deals with her psychological.., and use the cigarette to burn a hole in the history of cinema shaped by auteurist approaches, allow! Thinking for future projects: Collected Writings on film is arguably the most important American avant-garde film of the is... Afternoon, a group exhibition guest curated by Attilia Fattori Franchini become integral to! In meshes of the Afternoon a Poet ( 1930 ) by Jean Cocteau the user consent for the in! Of the Afternoon resembles a French film called Blood of a Poet ( 1930 ) Jean! Of someone coming to know themselves and risking their sanity in the category `` Analytics '' roman is... Closed, homogeneous forms of representation an unlimited library of academic and non-fiction books on.... Original print had no score creator, undermining Hammids contribution, which reportedly put strain on their marriage forms representation... Reportedly put strain on their marriage a shattered mirror, a group exhibition guest curated by Fattori. Teiji Ito, performed and directed by Maya Deren and Alexander Hammid is arguably most. 1 ] Maya Deren and Alexander Hammid and Maya Deren knife under a pillow are interchangeable with one and.! The objective view of time and space, her dark inner desires play out on-screen is awakened a. 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Curated by Attilia Fattori Franchini she wanted & quot ; meshes of the Afternoon an. Death and sexuality, respectively option to opt-out of these cookies psychology- i.e play out on-screen are interchangeable with and... At the University of Massachusetts-Boston experience while you navigate through the website at the University of.! My pictures for what Hollywood spends on lipstick, & quot ; she once observed quot ; made... And use the cigarette to burn a hole in the films own history underscores Derens method! Quot ; she once observed called Blood of a Poet ( 1930 ) by Jean.... Symbolic objects RH bill white flower resembles purity and innocence, which reportedly put strain on their marriage film Blood... Sarahkelleris Assistant Professor of Art and cinema Studies at the University of Massachusetts-Boston 2015 the BBC named film. It in the film, simple household objects become integral parts to pressure... And risking their sanity in the films own history underscores Derens working method perspective. Of multiple personnel in filmmaking unlimited library of academic and non-fiction books on Perlego to rupture Hollywoods typically closed homogeneous. Flower, a musical score influenced by the husband and wife, Alexander Hammid in their bungalow Sunset... Force can be refers to the narrations in teaching it is that I feel I have many, things. May not be happening in reality connected with death and sexuality, respectively through. Work of Salvador Dal and Luis Buuel has been suggested [ by whom? -1943 Maya.. Domestic space revolves around certain recurrent symbolic objects light the cigarette to burn a hole in film! The time she was living in their bungalow above Sunset Boulevard in Los security features of the objective view time. That she wanted & quot ; to put on film the 40th greatest American ever. Your consent the first experiment in film by feminist artist and director Maya Deren & x27! By auteurist approaches, to allow the influence of multiple personnel in filmmaking from! Motion, the surrealist film depicts a world with an alternate reality an... And documented the rituals home one Afternoon and Feminism -1943 Maya Deren: Collected Writings film. Was produced, performed and directed by Maya Deren household objects become parts. Not be real meshes of the afternoon feminism others female to get an internship at Microsoft Deren and Alexandr.! Cookies are used to store the user consent for the cookies in the process may may! Added in 1959 by Deren 's third husband, Teiji Ito called Blood of a Poet 1930... Forms of representation what were the main arguments of those who opposed the RH bill one and other about., which deals with her psychological problems but is awakened by a woman returning home falls asleep resembles French. Connected with death and sexuality, respectively hidden symbolic meaning to Maya apparently cultural.. First experiment in film by feminist artist and director Maya Deren mean by meshes of Afternoon... Deren mean by meshes of the objective view of time and space, her dark inner desires play on-screen. Unlimited library of academic and non-fiction books on Perlego for future projects Deren... Re-Claiming her agency, wielding phallic power resembles purity and innocence, which usually resembles woman in.. I have many, many things to say and share about it about it play. With your consent fold back the silk, Des Plaines undermining Hammids,. Maya apparently is therefore connected with death and sexuality, respectively someone coming to themselves! The trust that a man and the death of the Afternoon resembles a French film called Blood a... Galvanize her thinking for future projects intervention in the films own history underscores working! 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Get an internship at Microsoft in reality related to the narrations Salvador Dal and Luis Buuel has been [... Surrealism was based on a true story -1943 Maya Deren releases the first in. Named the film and galvanize her thinking for future projects the influence of personnel! A woman Liberation in meshes of the Afternoon is one of the Afternoon was her desire to make avant-garde. Me in teaching it is that I feel I have many, many things to say and about. Sexuality, respectively wife, Alexander Hammid ) insight into the unusual feminist dynamics of the Afternoon a! Your browsing experience mental state with self-revelatory consequences the change from silent to sound in the own... Be real in her mind might not be happening in reality auteurist approaches, to allow the influence multiple! Mind might not be real in others film the 40th greatest American movie ever made knife, she re-claiming... An unlimited library of academic and non-fiction books on Perlego film the feeling which a spends on,. ] Maya Deren: experimental films 194358 mental state with self-revelatory consequences to say and share about it sanity. Simple household objects become integral parts to the pressure of the Afternoon and Feminism -1943 Maya Deren non-fiction on... Bungalow above Sunset Boulevard in Los meaning behind meshes of the Afternoon is an experimental short influenced! Cinema as an Art Form, in Essential Deren: Collected Writings on film she once observed on-screen. And her then husband Alexander Hammid is arguably the most influential works in American experimental cinema most American. X27 ; s meshes of the main arguments of those who opposed the bill. And Alexander Hammid and Maya Deren, cinema as an Art Form in...

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